{"id":10,"date":"2011-03-26T14:36:13","date_gmt":"2011-03-26T14:36:13","guid":{"rendered":"https:\/\/helenharrison.net\/?page_id=10"},"modified":"2021-07-06T19:42:00","modified_gmt":"2021-07-06T19:42:00","slug":"art-waves","status":"publish","type":"page","link":"https:\/\/helenharrison.net\/?page_id=10","title":{"rendered":"Art Waves"},"content":{"rendered":"
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. . . I want to tell you about my five years on the radio.<\/p>\n

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The WLIU headquarters, on the former Long Island University campus that is now Stony Brook Southampton.<\/figcaption><\/figure>\n

In September of 2004 I got a call from Bonnie Grice, the host of a morning radio program on WLIU, Long Island University\u2019s NPR affiliate, broadcasting to eastern Long Island and southern Connecticut at 88.3 FM. She had recently interviewed me on \u201cIn the Morning,\u201d a one-hour talk show covering the regional arts scene, and I had also been a guest on another of her programs, \u201cThe Song is You\u201d (an American version of the BBC Radio 4 staple, \u201cDesert Island Disks\u201d), a mix of music and conversation.<\/p>\n

Bonnie\u2019s call started on a flattering note. \u201cYou have a good radio voice,\u201d she said, \u201cand you\u2019re not afraid to say what you think.\u201d Well, maybe that last part wasn\u2019t so flattering, but I took it as a compliment. She then asked if I\u2019d like a gig on the morning show, doing commentaries on the visual arts.<\/p>\n

At the time, I was writing a column for The New York Times\u2019 Long Island section, covering all the museums, commercial galleries and other art venues east of the New York City line. I explained to Bonnie that, as an ethical matter, I couldn\u2019t comment on the same things I wrote about for The Times, and was pleased when she said that wasn\u2019t a problem. She was not primarily interested in exhibition reviews or profiles of individual artists. Also, while it seemed appropriate to focus on the broadcast region, I wanted to be able to range farther afield–especially into Manhattan, where I never ventured for The Times. That too was fine with Bonnie.<\/p>\n

My other caveat was the use of the first person. I explained that ever since I started writing for The Times in 1978, I had been required to adopt a rather distant tone. It seems to me that an art review is by nature subjective, but for some editorial reason, as a freelance \u201cstringer\u201d rather than a staff reviewer, I wasn\u2019t allowed to express an opinion directly. Recently that policy had begun to relax–by then I\u2019d had a regular Sunday byline for more than 25 years–but from the outset I wanted the broadcasts to be first-person. As far as Bonnie was concerned, the more personal the better.<\/p>\n

\"Bonnie
Bonnie Grice in the WLIU studio.<\/figcaption><\/figure>\n

So I became the first of the regular commentators on \u201cIn the Morning with Bonnie Grice.\u201d My initial contribution, aired on 30 September 2004, was in fact a review, but in addition to discussing the two exhibitions at The Drawing Room in East Hampton I told listeners how I felt about the gallery itself. A couple of weeks later I really hit my stride with a jeremiad against the \u201cmy four-year-old could do that\u201d school of art criticism. I said, in essence, this is what I think of that attitude, and why I feel that way.<\/p>\n

True to her word, Bonnie broadcast my reports on Manhattan exhibitions and art events, as well as doings from around Long Island and New England, and even field trips to far-flung locales like Chicago, Santa Fe, Los Angeles and Key West. She let me review art-related books, plays and movies, and encouraged me to weigh in on art-world issues and controversies. Times articles by other critics and reporters also prompted a number of my commentaries.<\/p>\n

At first Bonnie just introduced my spots with a few words about the subject, but after the show expanded to two hours, from 8 – 10 a.m., it was suggested that the segment should have a title and some theme music, like Joan Baum\u2019s \u201cBaum on Books,\u201d Louisa Hargrave\u2019s \u201cWine 101,\u201d Mike Botini\u2019s \u201cNature News & Views,\u201d and Bob Beuka\u2019s \u201cMovie Talk.\u201d Since we were on the air waves (and sometimes I liked to make waves), we decided to call it \u201cArt Waves.\u201d As far as a theme was concerned, I had no hesitation in picking Thelonious Monk\u2019s \u201cBrilliant Corners,\u201d an all-time favorite of mine, and most appropriate for a radio station that focuses on jazz programming. So \u201cArt Waves,\u201d piped aboard by Monk\u2019s masterpiece, settled into a regular slot on Thursday mornings at 8:40.<\/p>\n

And so it went for five years, until the Great Recession hit and cash-strapped Long Island University (which earlier had jettisoned the Southampton campus that houses WLIU) decided to get out of the radio business. With the station\u2019s license up for sale, \u201cIn the Morning\u201d went off the air in November 2009. As WLIU\u2019s management struggled to find the money to buy the license and become independent, my \u201cArt Waves\u201d commentary of 20 August argued for the station\u2019s importance as a community resource and a valuable service for all segments of the population. After several years operating as WPPB, 88.3 FM, the station is now WLIW, still at the same location on the dial and still Long Island’s only NPR affiliate. Owned by The WNET Group, it is a sister station to PBS member television station WLIW, and features programming from American Public Media, NPR and Public Radio International.<\/p>\n

Thanks to WLIU and its dedicated staff, including Bonnie, her associate producer Kathie Russo, engineer Kyle Lynch, and especially Wally Smith, the general manager, for inviting me to make “Art Waves!”<\/p>\n","protected":false},"excerpt":{"rendered":"

. . . I want to tell you about my five years on the radio. In September of 2004 I got a call from Bonnie Grice, the host of a morning radio program on WLIU, Long Island University\u2019s NPR affiliate, broadcasting to eastern Long Island and southern Connecticut at 88.3 FM. She had recently interviewed … Continue reading Art Waves<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":40,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/helenharrison.net\/index.php?rest_route=\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helenharrison.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/helenharrison.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/helenharrison.net\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/helenharrison.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10"}],"version-history":[{"count":8,"href":"https:\/\/helenharrison.net\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":986,"href":"https:\/\/helenharrison.net\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions\/986"}],"wp:attachment":[{"href":"https:\/\/helenharrison.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}